This is turning out to be a weekend of rare pleasures. I managed to get my hands on a copy of Catherine Asaro's latest book in her Skolian series - "Carnelians". Beg, borrow, buy or steal a copy. It's great. I read it through in just a day and night, and will go back and re-read it. The only drawback of it is that it leaves you wanting so much more, right now.
Don't worry, the story does have a proper conclusion. But it's so enjoyable spending time with these characters and you invest so much in them emotionally, that you really need to know what happens next in their lives.
Guess I'll just have to wait the year or so until she brings out another one - and if she doesn't , that will just be too cruel! this series has not finished, Ms Asaro - please.
Welcome to the blog of Mary Brock Jones, SF author.
I also have a website, here
I write science fiction. Some dark, some not so dark. Some short, some longer, some very long. Some have a happy ending, others definitely not.
I also write NZ historical romance novels.They always end happily, even if the journey can get quite bumpy.
It's a nice mix.
I also have a website, here
I write science fiction. Some dark, some not so dark. Some short, some longer, some very long. Some have a happy ending, others definitely not.
I also write NZ historical romance novels.They always end happily, even if the journey can get quite bumpy.
It's a nice mix.
Saturday, January 7, 2012
Falling skies
I have finally managed to see the first episode of the new SF series "Falling Skies", which I recorded when it first screened. It's very good, but the best part of it is the opening minutes. For a master class in how to set up a SF/fantasy world in just a few screen shots - watch the first minutes of Ep 1 of "Falling Skies" . Using a child's pictures, the voice over of a teacher, and a few outside action shots of other characters, the entire scenario of this dystopian earth soon after conquest by aliens is set out, with the resultant deaths of most humans and the desperate battle to survive of those left behind. All this through a traumatised child's pictures and a brief action sequence of resistance fighters. So not only do you get the scenario set out, you are grabbed by the emotional heart of the story right from the beginning. And that's before they even start rolling the opening credits. Absolutely brilliant.
Sunday, December 18, 2011
Pre-New Year resolutions
This is the getting-ready-to-make-a-New-Year-Resolution post. See below for version 1 of this year's batch of promises I make to myself. Or in other words, how to spend time doing anything but editing my current WIP by philosophising over various matters.
Anyway, current plan for next year is: Finish editing the Gorge Creek book (NZ historical romance). You have to do this Mary, damn it. Get it finished, get it sent off and enter into the RWNZ Clendon comp - then get on to the next project you really want to write.
Currently this is a SF novel, with a broad climate change theme. There will probably be a romantic element, but it's not the main storyline. I've got a rough outline written - otherwise known as the cursed synopsis. And both main characters, the general cultural background, and the main conflict points sketched out. Very prepared for me. Usually I just write madly to find out who my characters are and what happens to them. But I need to do a lot of research on climate change and ecology to find out if my broad precept will work.
OK so that's the writing schedule done. Now to just fit in real life (ie the paid work that feeds and clothes me, and the family that makes it all work) and a couple of uni papers. Yeah, chicken feed. Watch this space for versions x,y, z and so on to the nth degree.
Anyway, current plan for next year is: Finish editing the Gorge Creek book (NZ historical romance). You have to do this Mary, damn it. Get it finished, get it sent off and enter into the RWNZ Clendon comp - then get on to the next project you really want to write.
Currently this is a SF novel, with a broad climate change theme. There will probably be a romantic element, but it's not the main storyline. I've got a rough outline written - otherwise known as the cursed synopsis. And both main characters, the general cultural background, and the main conflict points sketched out. Very prepared for me. Usually I just write madly to find out who my characters are and what happens to them. But I need to do a lot of research on climate change and ecology to find out if my broad precept will work.
OK so that's the writing schedule done. Now to just fit in real life (ie the paid work that feeds and clothes me, and the family that makes it all work) and a couple of uni papers. Yeah, chicken feed. Watch this space for versions x,y, z and so on to the nth degree.
Monday, December 5, 2011
My writing
Since this is a writing blog, it seems only reasonable to add some of my own writing. Poetry is something I rarely attempt - but this one appealed to me. My apologies for those out there who are so much more proficient at this most difficult of writing forms than I am.
Listen to a Waterfall
I sit silently on the bank
To watch the water fall.
A cascade plummeting down the cliff
And careering into the rocks
Protruding from each pillared
Side and playful ledge.
I watch the light twist and tumble
In a misty turmoil of
Fractured rainbows caught in a
Cloud of watery chaos.
Surging down then swirling
Up as the still heart of the fall
Becomes the roar of the pool
At the base and echoes back to me
In a rage of racked and pummelled
Carnage rich with reverberant life
That drowns the meaningless tears
That drew me here.
Monday, November 28, 2011
Screen writing as help to fiction writing
I finally got my final grade and markers comments for the short script I wrote as the final assignment for the Massey screen writing course I did. I got a pretty good mark for it, but more importantly, the markers comments were a very useful critique, and of the best kind. They said what the marker liked about the script and areas where it could be improved. And given that the marker was NZ playwrite and professional script writer Stuart Hoar, he does know what he's talking about. Better still, he didn't just say what could work better, but how it could be made to work better. The old bugbear - rack up the conflict.
He also couldn't understand the function of a particular character. I'd put this person, the protagonist's love interest, into the script as a proxy for how she feels about the bulk of the other characters, but hadn't really thought about him fully as a person. How he would react to what happens and what are his motivations. In other words, he was just a cipher to me, and that's what came across. It's amazing what comes through in your writing. If you as writer don't care about a character or don't know why he's there, then why should the reader.
This course also introduced me to the wealth of screen writing books out there. Screen writing is so commercially focussed, which makes it very self-critical. Your story has to work to make it into production. So books on screen writing have the most brilliant tips and hints for any style of story writing.
Plus they tend to be written in very easy to read formats. Screen writers are adept at using a minimum of words to put their story across, and this translates into their books on screen writing book techniques. I've just bought one called "Save the Cat" by Blake Snyder, recommended by Katrina Bliss ( one of NZ's best romance writers).
He also couldn't understand the function of a particular character. I'd put this person, the protagonist's love interest, into the script as a proxy for how she feels about the bulk of the other characters, but hadn't really thought about him fully as a person. How he would react to what happens and what are his motivations. In other words, he was just a cipher to me, and that's what came across. It's amazing what comes through in your writing. If you as writer don't care about a character or don't know why he's there, then why should the reader.
This course also introduced me to the wealth of screen writing books out there. Screen writing is so commercially focussed, which makes it very self-critical. Your story has to work to make it into production. So books on screen writing have the most brilliant tips and hints for any style of story writing.
Plus they tend to be written in very easy to read formats. Screen writers are adept at using a minimum of words to put their story across, and this translates into their books on screen writing book techniques. I've just bought one called "Save the Cat" by Blake Snyder, recommended by Katrina Bliss ( one of NZ's best romance writers).
Sunday, October 30, 2011
Rugby over - now back to writing
We won - at least, the All Blacks did, after making an entire nation sit with their hearts in their mouths for rather too much of the final game. so now the Rugby World Cup (or RWC as our acronym mad newspapers keep shortening it to) is over, life can get back to normal. That's the theory anyway, except that we have currently put the house on the market, so writing is having to take yet another back seat. Or is that just me procrastinating?
What's happened recently? I finished the script for the screenwriting course I'm taking. A terrific exercise in terms of exploring story creation and how to cut stuff. I managed to get it down to exactly 35 pages - the maximum allowed, and had to concede that most cuts did improve it. But not all. It probably needed to be about a 50 pg script - in other words, a 1 hr TV drama, rather than a half hour skit.
It also got me looking at screenwriting books. And discover the terrific information in them. Most particularly, they include brilliant hints and tips to sharpen up the editing of any piece of writing. And writing a script forced me to more clearly visualise the scene I was writing, and to focus only on those details in a scene which work to move the story along.
Now back to editing my 2nd NZ historical. Then I must get in to the new scifi novel I have preliminary notes for. I think that is going to be my forte - scifi with a romantic element.
My scifi short stories are currently not getting much success - more rejections this month. Possibly because they are generally quite miserable and dark, emotionally. Maybe I need to vary the emotional tone of them - rescue my poor readers from the depths occasionally.
But now back to 1862 Otago, New Zealand. And the music of Eric Church, my latest favourite discovery. A US country singer with decidedly un-PC lyrics. Such fun. Of course, his CD's are not released here - typical. Thank the stars for the internet.
What's happened recently? I finished the script for the screenwriting course I'm taking. A terrific exercise in terms of exploring story creation and how to cut stuff. I managed to get it down to exactly 35 pages - the maximum allowed, and had to concede that most cuts did improve it. But not all. It probably needed to be about a 50 pg script - in other words, a 1 hr TV drama, rather than a half hour skit.
It also got me looking at screenwriting books. And discover the terrific information in them. Most particularly, they include brilliant hints and tips to sharpen up the editing of any piece of writing. And writing a script forced me to more clearly visualise the scene I was writing, and to focus only on those details in a scene which work to move the story along.
Now back to editing my 2nd NZ historical. Then I must get in to the new scifi novel I have preliminary notes for. I think that is going to be my forte - scifi with a romantic element.
My scifi short stories are currently not getting much success - more rejections this month. Possibly because they are generally quite miserable and dark, emotionally. Maybe I need to vary the emotional tone of them - rescue my poor readers from the depths occasionally.
But now back to 1862 Otago, New Zealand. And the music of Eric Church, my latest favourite discovery. A US country singer with decidedly un-PC lyrics. Such fun. Of course, his CD's are not released here - typical. Thank the stars for the internet.
Wednesday, September 14, 2011
Bogged down and rugby
Not much writing happening lately. I'm bogged down in the short script I'm working on for the uni screenwriting paper I'm doing at present. Actually, I really like the story, and it's a fascinating process. But I'm in redraft territory at present - lots of rethinking, but now have to sit down and do the re-writing. It's based on a scifi short story I wrote some time back, but this has been a great chance to expand on it. Set on Titan, largest moon of Saturn, it involves the first colony set up there. Which creates lots of possibilities re how people can live and work in colonies as we expand into the solar system. Lots of ideas, but it's limited to a 30-35 pg script, so all background knowledge to what actually goes on paper. Very fascinating world building though.
And the rugby world cup is on. What about that opening ceremony! Just loved it. And I get weepy over the national anthems. Loved Ireland vs USA - very emotional. But hated Scotland vs Georgia. Scotland have one of the best national anthems going - "Flower of Scotland" and the choir and orchestra that have done an amazing job on all the other anthems just butchered this one. It dragged, there was not beat to it, and worst of all, no passion or rising crescendo. How could they do that?
Oh, and the rugby is great too.
And the rugby world cup is on. What about that opening ceremony! Just loved it. And I get weepy over the national anthems. Loved Ireland vs USA - very emotional. But hated Scotland vs Georgia. Scotland have one of the best national anthems going - "Flower of Scotland" and the choir and orchestra that have done an amazing job on all the other anthems just butchered this one. It dragged, there was not beat to it, and worst of all, no passion or rising crescendo. How could they do that?
Oh, and the rugby is great too.
Subscribe to:
Posts (Atom)